Dore Abbey- Abbey Dore, Herefordshire
I’m always open to new painting challenges and in 2024 I was delighted to be offered the role of Artist in Residence at Dore Abbey during the English Choral Experience.
I’ve always loved the architecture of old churches, the untouched wildness of a churchyard and the treasures to be found inside the doors.
Often in quiet locations, nature remains undisturbed, creating a haven for birds and wildlife and a perfect setting for wildflowers to thrive.
Ecclesiastical interiors contain a wealth of creativity and craftsmanship in the art of stone masons and wood carvers, ornate floor tiles, sometimes beautiful embroideries and in the case of Dore Abbey, wall paintings too, not to mention the poetry within epitaphs and lettering. All of these making wonderful inspiring subjects for drawing and painting.
I enjoyed my creative week at this wonderful Abbey Church, gaining a sense of place with the added bonus of a background of rising waves of choral voices.
There were lovely moments of calm; standing at my easel in the abbey grounds, listening to birdsong and soaking up the great sense of history, or sitting in the abbey’s impressive aisles capturing the complex stonework in charcoal, whilst listening to echoing and soaring organ music.
I had a very satisfying day running a workshop for the choir members, each was given a concertina sketchbook to fill, both inside and outside the abbey, I was kept on my toes running between the artists to offer advice and encouragement in completing their colourful artworks.
My week also inspired the creation of a small concertina sketchbook documenting a walk around the abbey, both inside and out.
The folding book was filled with sketches, watercolours and notes painted onsite and finished back in my studio. I was so pleased with the resulting book that I have had a short print run made. Each printed book has a small unique watercolour on the cover depicting a wildflower, plant or tree, native to the churchyard. Decorating the back cover is a specially made print of the abbey
THESE CONCERTINA BOOKS HAVE BEEN PRINTED ON QUALITY WATERCOLOUR EFFECT PAPER AND HAVE BEEN CAREFULLY HAND CUT, FOLDED AND GLUED.
JUST LIKE THE ORIGINAL, THEY HAVE A UNIQUE, SMALL WATERCOLOUR ON THE FRONT COVER AND AN INDIVIDUAL DORE ABBEY PRINT ON THE BACK.
THE MEASUREMENTS OF THESE SMALL PRECIOUS BOOKS ARE 12CM X 9CM, UNFOLDING TO A LENGTH OF 66.5CM.
THE BOOKS ARE AVAILABLE TO BUY (CLICK HERE) AND ARE ALSO AVAILABLE THROUGH ‘THE FRIENDS OF DORE ABBEY’
HELLENS MANOR 2024
As a member of The Herefordshire Painting Club I had the opportunity in 2024 to exhibit in a joint show during the Hellens Garden Festival at this beautiful Tudor Manor in Herefordshire.
I began visiting the manor in the early months of the year, the gardens were closed but footpaths run across the land and pass close to the house so I was able to gain a sense of place and to begin making sketches and gathering ideas for paintings.
In the build up to the exhibition we had two painting days at Hellens factored into the painting club’s programme, one of which was a tutored session. We also had a short artist’s residency.
I was asked to run the tutored day in the gardens, luckily and unusually the sun shone for us! and the session was very well attended. I started with a talk about my own techniques and ideas, more of a ‘show and tell’, rather than a demonstration, as I spread out my sketches on the tea tables and pegged rolls of lining paper ‘step by step’ instructions onto the bushes. There was an emphasis on the subject of ‘looking through’, exploring ways to tackle perspective and create distance. Some excellent work was produced on the day with some of the paintings having a well deserved place in the exhibition.
HELLENS ARTIST’S RESIDENCY
Sadly, artists residencies rarely mean that you move in, and are offered a temporary studio and access to the kettle and teapot! But the chance to exhibit at the Manor seemed too good an opportunity not to create an Artists Residency.
I approached Hellens, asking if I could be in the gardens for four days in a row at the end of April, beginning of May, and offered for members of The Herefordshire Painting club to join me. we really enjoyed soaking up the atmosphere and history of Hellens, the birdsong, donkeys braying, hens clucking and the chatter of the gardeners and volunteers, coming and going throughout the week. We gained a good ‘sense of place’ met the resident dogs and enjoyed each others company for coffee and lunch.
It was challengingly chilly with one day of gusty strong winds that blew my easel over and whipped up my sketchbook, sending pages flapping through the apple trees and down to the georgian stables.
Happily we were rewarded on the last day with sunshine and warmth.
There’s so much to paint and draw at Hellens I managed to complete most of the pictures that I’d envisaged and treated myself to a house tour on the last afternoon, curious to see the wonders inside the walls. I might have to arrange another residency INSIDE the manor!
The resulting exhibition had a great impact with a large volume of work on the common theme of Hellens Manor.
Snowdrops in the spinney
A clump of white wintry snowdrops painted for an exhibition at Hellens Manor, Herefordshire, the rooftops of the manor just visible through a cold morning mist.
Cards and prints of Snowdrops in the Spinney are available in shop page, click here
Visitors to the exhibition looking at my drawing of a farmers smock.
Working in the collections room.
Initial ideas for painting Stroud Scarlet, red cloths in a landscape.
Watercolour sketched from the glass collection
postcards produced for sale in the museum shop.
MUSEUM IN THE PARK, STROUD ‘COLLECTIONS’
With felt maker Sarah Brooker
I met artist, Sarah Brooker, at Brewery Arts in Cirencester and we realised that we were working in very different mediums but with almost identical subject matters, Collections. Feathers, cotton reels, hankerchiefs and cutlery!
We decided to exhibit together, and worked from both our own collections of favourite objects and each others. We first showed work together at Brook Street Gallery in Hay on Wye. Our approaches were very different but the paintings and felts complimented each other perfectly in a colourful collection of favourite things. We liked the idea of touring the exhibition, so approached the Museum in the Park, Stroud. We proposed a residency, where we would both work from the museum’s collections and would hold an exhibition of paintings and felts alongside the objects that inspired them.
We loved the large and light gallery at Museum in the Park and the exhibition was a huge success, with visitors especially enjoying the display cases of treasures and sketchbooks Sarah and I had brought from home.
Postcards were produced of paintings inspired by the museum’s treasures, for sale in the shop, and Sarah and I ran workshops to co-incide with the residency and exhibition.
ARTIST'S RESIDENCY AT THE DEAN HERITAGE CENTRE
I’ve always loved museums, especially smaller local ones that display my favourite subject, the artifacts of everyday life.
I approached The Dean Heritage Centre, here in the Forest of Dean with the idea of becoming an Artist in Residence. I wanted to spend time amongst the museum’s treasures, looking in detail and recording my favourite pieces in pencil and paint. I was on site with sketchbooks and drawing boards, a couple of times a week for eight weeks of the summer, and also ran some childrens drawing workshops.
There was a great response from visitors, who enjoyed seeing my work in progress around the museum, and were often sparked into conversations by objects I was sketching, ‘keen to share their memories with me.
The residency culminated in a popular exhibition at the centre.
'In the wash house'. Oil on Linen.
Forest of Dean arrow heads.
Collections and sketches.
The Green Dress. Watercolour
Artists sketch book, painting ideas at The Dean Heritage Centre.
Sketching in the traditional forest cottage at The Dean Heritage Centre.